The long, complex evolution of the blockbuster
Louis Garrel: ‘When you make an action scene, there’s this tendency to think, “Let’s do it like Heat or Scarface”’
The double-edged sword of technology in Scrapper and Past Lives
Theater Camp review – slightly cliquey thesp fest
Harris Dickinson: ‘It was actually quite scary improvising with Lola’
Scrapper review – a charming, effervescent story about grief
Afire review – Petzold taps into his inner Rohmer
“The emotional part overwhelmed me” – Catherine Hardwicke on Thirteen at 20
The Innocent review – pleasantly quirky romantic caper
How theatre kids finally found their spotlight
Oldboy and the aesthetics of national trauma