Screen Rats

S ometimes the slovenly industrial mechanisms of traditional film production are just not the right fit for certain projects. British filmmaker Marc Issacs, known for …

T he cinema to broadway musical and then back to cinema pipeline is big news in Hollywood, CA, right now, with a glossy, toe-tapping new version of The Color Purple co…

T he first shot of I Saw The TV Glow is quite the opening salvo. The camera creeps along a suburban street just after dusk, passing over tangled veiny chalk art, the w…

A s the wintery, back-to-work blues of January finally begins to subside, we have news of a very bright near-future, as at the end of February the Glasgow Film Festiva…

A sleek but cold skyscraper in Croydon is the primary setting for Andrew Haigh’s queer adaptation of Taichi Yamada’s 1987 novel ‘Strangers’. Screenwriter Adam (Andrew…