Showing posts from October, 2023Show all
Close Encounters: 50 years of UFO cinema
Why are so many British feature debuts about childhood trauma?
Carol Morley: “I could tell straight away that Audrey Amiss was a completely fascinating person”
The Killer review – throwback to the golden age of pulp fiction
Cat Person review – sorry, I’m allergic
Five Nights at Freddy’s – nonsensical robo-slasher trash
Sadness with Pizzazz: The Saddest Music in the World at 20
Doctor Jekyll review – gives Christopher Lee and Peter Cushing a run for their money
Why contemporary filmmakers can’t stop copying Jacques Demy
Rock Hudson: All That Heaven Allowed review – gossipy, entertaining look at a mythological man
Put on your red shoes and dance: the enduring euphoria of Powell & Pressburger
Foe review – bewitching and terrifyingly plausible
Martin Scorsese: ‘What is it about us as human beings that allows for us to be so compartmentalised?’